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- On Your Toes
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- (April 20, 1936)
-
- On Your Toes stands as a definite milestone in the U.S.
- musical theatre. Future productions which fail to measure up to
- its stiff standards of achievement may be considered to have
- retrograded. Such was the appraisal of the most gilded
- first-night audience, which roared in astonishment and approval
- all the way through the performance.
-
- On Your Toes devotes its first act to kidding a Russian
- ballet. Ballet dancers' Broadway reputation for arrogance,
- jealousy and venery offers, like a clown's buttocks, a large and
- ludicrous target for whacking. Three modern masters of whacking,
- George Abbott and Rodgers & Hart have done so with authority.
- The finale of On Your Toes' Act I, in which disaster strolls
- implacably through a conventional ballet, will make it
- impossible for many people ever again to take the serious Dance
- seriously. Thereupon, Messrs. Abbott, Rodgers & Hart, uncannily
- abetted by famed Choreographer George Balanchine, perform an
- even more impressive theatrical miracle by staging a 15-min.
- ballet of their own, "Slaughter on Tenth Avenue," which would
- probably evoke an ovation from modernists anywhere outside ON
- Your Toes. Miracle No. 3, which tops the evening, occurs when
- Abbott bet al, bring the whole performance back into the musical
- comedy theatre with an exciting, side-splitting and thoroughly
- surprising finale.
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